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Аннотация The article gives a detailed examination of two prose fragments by Elena Guro — “Vrubel's Venice” and “Picasso's Violin”. They are analysed as the brightest examples of ekphrastic genre in her works. Being dedicated to the works of artist who had a great influence on Russian modernists the fragments also reveals Guro's attitude towards such art movements as Symbolism and Cubismand can be regarded as her literary manifest